[Sleeping Beauties Content Note: Trans Exclusion and Erasure, Misogyny, Violence Against Women]
Sleeping Beauties Recap: When this book first popped up on my radar, I expressed some concerns about the content on Twitter. This week, I purchased the book and read through it. As I read, I live-tweeted my thoughts on Twitter. This is a compilation and expansion of my tweets. The live-read will be spread out over multiple posts.
Sleeping Beauties, Part Two: I'll Sleep When I'm Dead. Chapter 12-15
(Tweet Link) Part 6 of King & King's Sleeping Beauties.
Terry, who was a drunken bumbler a few pages ago, now sums up the situation with astonishing clarity. Everything he says is correct.
Frank abandoned his silver-tongued manipulation that bordered on magical to being an impulsive loose cannon again so Terry can snap at him. Clint, who is supposed to be defending Eve and keeping the men from harming her, tells them she's a dangerous witch-demon. CLINT. I... with only the slightest head-tilt, Frank is the protagonist, Eve is the villain, and Clint is her unwitting Dragon. Was that intended?
This section has been in Frank's POV ("Frank thought") but the milkshakes detail is something only Clint knows. Common first draft problem.
And, again, Frank has every reason to believe killing Eve is the right thing to do: she told him so.
Oh my god, there are pages about this damn bazooka. You know what we still don't know? Whether the women who die in the dream world die in the real world. But this bazooka is important. This right here is latent misogyny, when you don't think to think about the women in your novel because there's a metal penis to stroke.
[TW] They blew up the sheriff's office with the bazooka. The lady dispatcher we spent so much time with burned to death. Fuck.
The Drug Dealers who want to kill their witness in prison have sent a message to Terry and Frank. They know about Eve (how??) and the message is that they're her friends and they'd better stop the assault on the prison or else (why????). This only steels Terry and Frank's resolve to do the thing they were already 100% resolved to do anyway. How pointless.
What.
All of these men have helpless, cocooned, flammable women at home. All of these men are here motivated to find a cure. NOT A SINGLE ONE OF THEM thinks "hmm, maybe we should go put our womenfolk in a non-flammable place"?
We spend a few moments in the POV of the Gay Man, whose backstory is that he is gay. [Note: He will not survive to the end of this novel.]
Eve plans to send Jeanette to stop Elaine, because the choice for women shouldn't be made by one woman. This is HILARIOUS.
3.5 billion women are asleep and are going to have their fates decided by the population of Bumblefuck, but ONE woman deciding for everyone is unfair. It wouldn't be right for a Black woman to decide for white women, but for those same white women to decide for all Black women is fine.
Men being a different species explains how the illness can't affect them, I guess.
Clint has his men shoot first, and ruminates on how euphoric it feels to help Eve, and again, this works better for a villain, King.
The first good thing has happened in this book: Angel cuts open the cocoons of the two dead queer ladies and they wake up. Eve tells Angel to do this and also that their "souls are dead", which?????
Wait. What.
NO.
What, they're fucking undead now? Wasn't enough to kill the queers, you have to resurrect them as zombies?
I can't breathe, I literally cannot breathe, fuck fuck fuck fuck.
Eve pleads with Clint to consider a world where men have been rebooted (DOES SHE WANT THEM TO SUCCEED OR NOT?) and he says:
This is toxic masculinity: the equation of "maleness" with "raising fists against each other".
War begins, and it's boring. I have a lingering feeling Eve would be more interesting if she weren't clearly supernatural.
Jeanette, who has been going to a psychiatrist for years, keeps up the stigmatizing mental illness portrayal in this books.
My god, there is no subtly allowed here. King actually pauses the narrative to tell us Elaine sounds like Frank to him.
But here's a crucial difference: Frank wants his daughter back in order to possess her; Elaine wants to protect her daughter from Frank. So if they sound similar, the similarities are superficial. This is what King thinks feminists want. This is what he thinks you want.
*lays head on desk and weeps*
Oh my god. So here is a good example of why you need rules for your magic or the reader will feel cheated. Despite there being a tiger and a snake here, Jeanette realizes they won't help her with Elaine; she's on her own. Okay! We understand that! She throws peas at Elaine, but the lighter drops, fire snakes towards the tree, all is lost--
--the tiger douses the fire with his foot.
The reader feels cheated: we were told the animals wouldn't help.
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It might have worked, if not for the tiger. Was it supposed to do that, Jeanette wondered, or had it gone beyond its purview? And if that was so, would it be punished? So many questions. So few answers. Never mind.
Oh my god.
Lila shows up with a gun and shoots Jeanette for holding a gun. Jeanette dies begging Elaine (WHY. WHY HER.) to take care of her son. Jeanette was the only other black woman in this book and was raped on-page. The narrative just killed the rape survivor. I am so sick.
Bazooka. Dynamite. Dead women. Frank seems strangely unconcerned that all this might kill Eve, but I guess he plans to kill her anyway. idk.
This book is stupid.
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